The Cinematic Storyboarding Studio

Magic Prism

Stop Prompting. Start Directing.

From an idea to a storyboard. In minutes.

Early Access

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First accessLifetime updatesNo subscription

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Prompting vs Directing

One is a text box. The other is a director's desk.

AI Tools

No consistency across shots.

Type into a blank text box.

Watch tutorials for weeks.

Subscribe, then buy credits.

One ban and you're gone.

The director's desk

References that shape the whole story.

A real director's control panel.

Become a better director as you work.

The whole crew, no subscription.

The infrastructure runs on your machine.

Get in early

We'll email you the moment it's ready. No spam.

Learn while you direct

You won't just make the shot. You'll learn why it works.

Every lens, angle, and light comes with the reason behind it: what it does, when to reach for it, and when not to. You pick up how real cinematographers think while you work.

The actual guidance built into every control

85mm PortraitLens

Flattering compression. Portrait beats where the face is the subject, intimate close-ups, fashion.

AvoidEnvironmental context, or full-body in tight rooms.

Dutch / CantedAngle

Psychological instability. Drug states, a revelation that shifts the floor (Reed, The Third Man).

AvoidGrounded, naturalistic beats.

RembrandtLighting

Classical portrait dignity. Formal reaction shots, the awards-bait close-up (Toland, Citizen Kane).

AvoidComedy, commercial, or full-body action.

Leading LinesComposition

Inevitability. Vanishing-point corridors, road-into-distance, one-point perspective (Kubrick, The Shining).

AvoidNaturalistic dialogue.

InsertShot

Forensic. Story told by evidence: the gun, the letter, the ring (Hitchcock's bomb under the table).

AvoidContinuous action, or emotional dialogue.

IntimateDistance

Lover's grammar. Breath-on-skin proximity, confessional moments (Wong Kar-wai, In the Mood for Love).

AvoidEnvironmental establishing.

You don't just walk away with a storyboard. You walk away knowing how to build the next one.

Storyboard to film

The storyboard is not the end. It is the start of the film.

Every beat carries the frames and the motion your video tool needs. You direct here, then take it straight to video.

01

Direct it, beat by beat.

Build the film one beat at a time. Same character, same light, same world, shot after shot.

02

Play it as an animatic.

Press Play and watch your beats run in sequence before you spend a second on video.

03

Export for video.

One click turns every beat into start and end frames plus a motion prompt. Drop them into Kling, Seedance, or any video tool you already use.

What you actually get

Your keys. Your machine. Your images.

Your keys.

Your key. In your keychain.

Your machine.

Runs on your laptop. On your disk.

Your images.

No telemetry. No training.

When it launches

One-time price. No subscription. No credits. No cap.

You bring your API key, so we never mark up a generation. The spend meter shows the real cost of every image. A full 27-beat film cost us $5.76.

Where it fits

Where Magic Prism fits in the room.

Honest comparison. The good and the not-yet.

FeatureMagic PrismKreaHiggsfieldArtCraft
No subscription
No credit caps
BYOK, no server bill
Runs locally, your key
browser
browser
Director-style multi-agent pipeline
8+ agents
basic Nodes Agent
Bring your own API key
Gemini · Nano Banana
varies
Storyboard from idea or script
Hardware floor
Any laptop
Browser-only
Browser-only
RTX 3060+
Setup time
~60 sec
Sign-up
Sign-up
Hours-days
Mac support
coming

Comparison reflects public product info as of April 2026

A creative director shouldn't fight their tools.

I built this for my own workflow.
Now I want to know if it solves yours.

Early access · Lifetime updates

We'll email you the moment it's ready. No spam.

Early Access · Limited · 2026